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KEY TAKEAWAYS 要点
超现实主义电影诞生于20世纪20年代法国，不是为了建立电影流派，而是为了共同反抗社会压迫，解放内心与潜意识。其目标是开启观众的“内在之眼”，进入共享的梦境状态。所有现代电影或多或少都带有超现实主义元素。它们吸引人的地方在于：直面潜意识的黑暗与混乱，呈现导演的恐惧与欲望，没有绝对答案，只能通过梦境般的体验去理解。
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每
一部现代电影或多或少都带有超现实主义的元素。这是20世纪最具影响力的艺术运动之一，它允许出现奇异的影像，这些影像可以毫无逻辑地流入下一个镜头，虽然故事线微弱，却将一切联系在一起。尽管超现实主义电影通常提供令人震惊和陌生的影像，但这些影片的核心目标是开启观众的“内在之眼”，让大家进入电影的共享梦境状态。
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了解一个作家最直接的方式，不是读他的作品，而是窥探他的日记。日记是一个过于私密的东西，即便卡夫卡、伍尔夫等作家们并不想出版自己的日记，最后这些私密的文字却在删减之后，得以文学的形式呈现在我们面前。为什么作家的日记，会在违背逝者意愿的情况下出版呢？
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