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除了标志性的“黑猫”海报，斯坦伦更是一位坚定的社会主义记录者。一战爆发后，他的笔触从蒙马特的波希米亚风情转向对战争苦难的深切悲悯。无论是流亡难民还是哀悼者，他始终以版画为武器对抗压迫，在残酷时代中呼唤底层的团结与尊严。
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斯
坦伦生于瑞士洛桑，1881年，21岁的他移居巴黎，落脚在蒙马特（Montmartre）——那个满是侨民、艺术家和工人阶级的城北高地。
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达达主义诞生于第一次世界大战期间，居住在中立瑞士的年轻创意人士为抨击战争弊端成立，1916年2月5日在苏黎世建立伏尔泰咖啡馆，创始成员包括雨果·鲍尔、特里斯唐·查拉等，受多种前卫运动影响，鲍尔和查拉成为领导者但合作有分歧。
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写出来，能治愈一颗破碎的心吗？
了解一个作家最直接的方式，不是读他的作品，而是窥探他的日记。日记是一个过于私密的东西，即便卡夫卡、伍尔夫等作家们并不想出版自己的日记，最后这些私密的文字却在删减之后，得以文学的形式呈现在我们面前。为什么作家的日记，会在违背逝者意愿的情况下出版呢？
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